Senin, 30 Agustus 2010

[G704.Ebook] Ebook Download History of Far Eastern Art, A, by Sherman E. Lee

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History of Far Eastern Art, A, by Sherman E. Lee

History of Far Eastern Art, A

  • Published on: 1964
  • Binding: Hardcover

Most helpful customer reviews

74 of 74 people found the following review helpful.
A comprehensive, flawed survey of the subject
By Joe the Critic
I'm reading this book for an Asian Art class, and I find it has both significant strengths and significant weaknesses.
Its major strength is the integrated approach: Sherman Lee organizes the book chronologically and thematically, rather than geographically. Instead of writing a section on Chinese art and a section on Indian art, Lee organizes his material by stage of development (Stone Age pottery) or by cultural movement (Buddhism), for example tracing the development of Buddhist styles in India, the adoption of those styles in China, Japan, and S.E. Asia, and the eventual synthesis of the Indian influences into local styles incorporating indigenous themes. Lee writes eloquently and even passionately about his subject, letting us know which cultures, styles, and artworks he admires. He covers a vast amount of cultures and time periods, easily enough material for dozens of books.
The book does have significant flaws, however. Most frustrating are the black and white photos (presumably a cost-saving measure). Roughly 90% of the images in the book are black and white, and they cannot do justice to most of the subject matter. A second weakness is Lee's writing style, which is sometimes more eloquent than comprehensible. At times I had to reread a section several times in order to figure out what Lee was trying to say. He sometimes seemes to be addressing himself to an audience of art critics who are already familiar with the material, rather than students encountering it for the first time. He will tell us that a particular art work is hieratic in style, or is an example of Daoist style, without explaining why. Also the thematic, rather than chronological, approach means that some topics are fragmented into parts of different chapters. The material on Korea, Southeast Asia, and the Tang Dynasty seemed especially disjointed. The sections on China in particular need more development: Lee provides only a single page of text on the historically pivotal Qin Dynasty, and does only a fair job explaining the influences of Confucianism and Daoism.
One alternative text that deserves consideration is The Art of East Asia, edited by Gabriele Fahr-Becker. Almost of the photographs are in color, and the text is both more comprehensive and more comprehensible than Sherman Lee, in particular the section on China. The text is written by several different authors, one for each region, which has both advantages and disadvantages -- it avoids the fragmentation of Lee's approach, at the expense of integrating it all into one consistent framework. The key disadvantage of The Art of East Asia (compared to Sherman Lee's History of Far Eastern Art) is that it doesn't include India, which contributed some of Asia's most impressive sculptures, and whose religions had tremendous influence on the rest of Asia.

23 of 25 people found the following review helpful.
No where is there such a broad base of expertise
By A Customer
Sherman Lee guides us through the ages and territories of the Far East in this study. A study of art following a wonderfully coordinated common theme - ritual and religion. Most noteable is the progress of Buddhism from its origins in India, through Southeast Asia, into China, Korea and finally Japan. Respectable discourse on other arts are included in the tour. Good reading and a great survey of the arts of the Far East.

14 of 16 people found the following review helpful.
I find this text to be accessible and interesting.
By A Customer
I used this text in college, in a course on the subject. It pained me immensely to have to sell it back, but I was even more poor then than I am now, and needed the $50. I am now planning to purchase a new copy of it. This book is beautiful. It is full of simply amazing images, the text is clear, concise and accessible. Out of 10 years of undergraduate and graduate studies, I remember this text more fondly than almost any other. My thanks to the author for writing it.

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Minggu, 29 Agustus 2010

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Contemporary Architecture & the Digital Design Process (04)

Contemporary Architecture & the Digital Design Process (04) by Szalapaj, Peter [Paperback (2005)]

  • Published on: 2005
  • Binding: Paperback

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Selasa, 24 Agustus 2010

[Q272.Ebook] Free Ebook Trekking in Ecuador, by Robert Kunstaetter, Daisy Kunstaetter

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Trekking in Ecuador, by Robert Kunstaetter, Daisy Kunstaetter

The definitive travel guide to exploring the unique diversity and splendor of EcuadorEcuador is one of the leading Latin American destinationsDetails 30 amazing trekking adventures for all levels of hikersIncludes the history of Ecuador, its people, geography, where to stay and moreTrekking in Ecuador is The Mountaineers Books newest addition to our international trekking series. (Other books include Trekking in Bolivia, Trekking In Nepal, Trekking in Russia and Central Asia, Trekking in Tibet and Trekking Peaks of Nepal.)Ecuador, appropriately named, literally means equator, the invisible line that divides the Earth horizontally in two hemispheres (North and South). As one of South America's smallest countries, what it may lack in size, it makes up for with an incredible variety of trekking destinations (and other outdoor activities such as climbing and paddling), birds and wildlife. 30 trekking destinations from the coastal plains to the central highlands and eastern jungle offer something for everyone.

  • Sales Rank: #1181394 in Books
  • Color: Green
  • Brand: Kunstaetter
  • Model: 1746282
  • Published on: 2002-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .76" w x 5.34" l, .88 pounds
  • Binding: Paperback
  • 301 pages
Features
  • Used Book in Good Condition

From the Author
Trekking is our passion. Between 2000 and 2002 we explored 30 new trekking routes to write "Trekking in Ecuador", the most up-to-date hiking guide for this country. It remains an unforgettable experience and taught us that, however well we might know Ecuador, there would always be more to discover here.

We are graduates of the National Outdoor Leadership School (NOLS), in Wyoming, USA. We live in Ecuador and know the country intimately, its places, people, strengths and weaknesses. In addition to our personal knowledge, we have developed an extensive network of contacts throughout Ecuador and its travel community. We can therefore constantly keep our fingers on the pulse of local developments and regularly update "Trekking in Ecuador" on-line.

From the Inside Flap
"Robert and Daisy Kunstaetter have helped countless travellers realize ambitions of going beyond the beaten track. They give the trekker the confidence to be completely self-sufficient if he or she so desires - or to choose a group led by experienced guides... In other words, this book is blunder-proof."
- Ben Box, editor, the "South American Handbook"

"Trekking in Ecuador" is well-researched. ...it really made me want to break in a new pair of hiking boots and get back out on the wonderful trails of Ecuador."
- Jean Brown, partner, Safari Tours, and founding member, South American Explorers Club, Quito, Ecuador

"...I am indebted to the best expedition planners in Ecuador, Robert and Daisy Kunstaetter..."
- Mark Honigsbaum, journalist and author of "The Fever Trail"

Most helpful customer reviews

1 of 1 people found the following review helpful.
Very disappointing!
By Lesley Hill
We were very disappointed with this book. The trail descriptions were not detailed enough and the maps not clear enough to use it. We actually left it at home and found the information when we got to Ecuador! Unfortunately, I cannot say that I recommend this book at all.

10 of 10 people found the following review helpful.
Authors' Review
By Robert and Daisy Kunstaetter
Trekking is our passion. Between 2000 and 2002 we explored 30 new trekking routes to write "Trekking in Ecuador", the most up-to-date hiking guide for this country. It remains an unforgettable experience and taught us that, however well we might know Ecuador, there would always be more to discover here.
We are graduates of the National Outdoor Leadership School (NOLS), in Wyoming, USA. We live in Ecuador and know the country
intimately, its places, people, strengths and weaknesses. In addition to our personal knowledge, we have developed an extensive network of contacts throughout Ecuador and its travel community. We can therefore constantly keep our fingers on the pulse of local developments. "Trekking in Ecuador" is regularly updated on-line.
Ecuador's special appeal to trekkers, day-trippers, and nature lovers can be summed up in one word: accessibility. The country's unique combination of small size, exceptional geographic and biological diversity, and good transportation infrastructure places an outstanding variety of splendid natural experiences within easy reach of the adventurous visitor. Ecuador boasts more than forty-five protected natural areas, including national parks and private reserves, almost all of which offer trekking and day-hiking possibilities.
Many longer treks span several natural regions, from the highlands down toward the Amazon jungle or coastal plain. Ecuador
receives many visitors (approximately 500,000 a year), but as yet relatively few people come specifically to trek. Unlike well-known trekking venues such as Nepal, the Inca Trail to Machu Picchu in Peru, and Chile's Torres del Paine National Park, trails in Ecuador are never crowded and offer virtually unlimited scope for exploration. Trekking in Ecuador is easily combined with a visit to the country's more traditional destinations: the Gal�pagos Islands, colorful indigenous markets, Amazon jungle lodges or Pacific coast beaches.

4 of 4 people found the following review helpful.
Tried and True
By Kate Haxton
On a recent month long trip to Ecuador I boot-tested three hikes in Trekking in Ecuador and was very happy with the guide. The book contains a good range of hikes from dayhikes near major travelling hubs to week long treks in glorious remote National Parks. There is an interesting variety to the hikes, one that ends in natural hotsprings, some that offer views of dramatic peaks and glaciers and a hike for those interested in seeing elusive wild Ecuadorian orchids. Although I have hiked extensively in beautiful mountain ranges all over the world, the trek "High Lakes and Ridges" is possibly one of the best hikes I have done. I was pleased to find hikes of all levels of difficulty and what a treat to hike on lesser known trails and have the mountains all to our selves. I saw Trekking with Ecuador for sale on the web before I left for Ecuador but I wanted to check my options in Quito. I definatly think that this is the best trekking guide for Ecuador and I wished I had bought it before my trip so I could have studied up. Happy trails!

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Kamis, 19 Agustus 2010

[N388.Ebook] Get Free Ebook Glenn Barr's Faces, by Glenn Barr

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Detroit-based artist Glenn Barr presents a 96-page compilation featuring details from 80 paintings and drawings he created over the past five years. Inspired by the complex expressions and raw emotions revealed by faces, Barr invokes the human condition, creating a multitude of personalities ranging from extraordinarily common to extreme and fantastic. Barr uses pencil and brush to render elegant and elongated necklines, exaggerated eyes, and the gentle or jagged slopes shaping the noses or foreheads of the men, women, and monsters he creates, whether they are beautiful, ordinary, or even grotesque. Expressed in the intricate details of each image, Barr presents a delicate mix of texture, color and line typical of the his loose but carefully executed style. Turn the page to reveal subtle or manic emotions of the wise, the wicked and the wistful. "Faces" brings each reader one step closer to experiencing first hand the compelling mind and interesting characters found in the world of Glenn Barr.

  • Sales Rank: #1525604 in Books
  • Brand: Brand: Last Gasp
  • Published on: 2011-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .50" w x 6.00" l, .60 pounds
  • Binding: Hardcover
  • 96 pages
Features
  • Used Book in Good Condition

Review
"Distortion and contortion of the FACE gives me the freedom to tell a better story and to create a better composition. Elongating the neck and exaggerating the eyes, the forehead either grossly enlarged or minutely petite, the odd slope of the nose, even the oversized and perhaps misplaced mouth, can reveal the subtlest emotions. Even the hair framing the FACE can stream decorously, capable of communicating a life all its own, one grounded perhaps in vague tragedy or masked rapture. I also love the play of light and shadow, assisting and enhancing the narrative, creating mood and energy within the frame, expressing the emotion. In essence, it's all about dynamics." -- Glenn Barr

About the Author
Glenn Barr is one of Detroit's most celebrated and successful underground artists. His paintings have appeared in galleries from Seattle and San Francisco to New York City. Glenn's work has been featured in a variety of comics and graphic novels such as Mad, DC Comics and Paradox Press as well as in a series of self published books called Heep. Barr's contribution to animation include background styling for The Ren and Stimpy Show, Bjork's I Miss You video and The New Woody Woodpecker Show. Recognition for his paintings came with solo exhibitions in the late 1990s Since then, he has exhibited internationally and published compilations of his work in "Lowlife Paradise" (2003), "Haunted Paradise" (2006) and his new volume, "Faces."

Most helpful customer reviews

0 of 0 people found the following review helpful.
A quality book
By Mark
Great book, especially for the price. It is a small book but well worth it. I plan on buying his other books as well after seeing this one.

0 of 1 people found the following review helpful.
Thid Guy is Amazing
By E. Thomas
I love his work, i wish this book was bigger, but I will settle for what i can get. Definitely worth the low price.

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Selasa, 17 Agustus 2010

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Detective Murdoch's life and work beoome tragically entwined when his sister, who long ago fled to a convent to escape their abusive father, is on her deathbed. Meanwhile, the same father has been charged with murder and calls on his estranged son to prove his innocence. But, knowing his father as he does, what is Murdoch to believe?

  • Sales Rank: #899644 in Books
  • Published on: 2012-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x 1.22" w x 5.12" l, .74 pounds
  • Binding: Paperback
  • 400 pages

Review
"Jennings is too tough and honest a writer to let anyone off her moral hook, even her hero." (The New York Times)"

About the Author
Maureen Jennings emigrated to Canada from the UK at the age of seventeen. Best known for the Murdoch Mysteries series, the TV adaptation of which has been running since 2008, Jennings has also launched a new contemporary series featuring a forensic profiler named Christine Morris. She lives in Toronto, Canada with her husband, two cats and two dogs.

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0 of 0 people found the following review helpful.
good read
By liztn
as per the other in the series this is a good read for those addicted to Murdoch. enjoyed the book

0 of 0 people found the following review helpful.
The TV series is much better.
By Stephanie S. Greene
I didn't care for this book and didn't finish it. The TV series is much better.

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Senin, 16 Agustus 2010

[A116.Ebook] Ebook Free Tell Me Again, by Deanna DiLorenzo

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Tell Me Again, by Deanna DiLorenzo

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Tell Me Again, by Deanna DiLorenzo

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Tell Me Again, by Deanna DiLorenzo

Meagan Summers had it all--she was young and pretty, a successful businesswoman with a skyrocketing career in magazine publishing, and a baby on the way. Until, one night, she lost it all in a devastating accident that terminated her pregnancy and left her in a coma, paralyzed from the waist down. Tell Me Again follows Meagan's meandering, difficult journey to recovery, as she struggles to overcome obstacle after obstacle--addiction, paralysis, and a fragile, sometimes volatile, relationship with her soul mate, a beautiful poet named Amber. Along the way, Meagan begins to discover that fate has much more in store for her and Amber. Curious echoes from her time in a coma begin to appear--strange premonitions and dreams, half-formed memories of a mysterious place called the Realm, where life and death hang in a fluid, shifting balance. Fate has one more big challenge for Meagan--a challenge that will test her, and Amber, in ways they can't even imagine.

Tell Me Again is a story of resilience in the face of overwhelming obstacles, a story of pain, friendship, forgiveness, and, most of all, love--that will leave you guessing and gasping at every turn.

*Tell Me Again is the sequel to the novel Tell Me - a love story with thorns.

  • Sales Rank: #5571724 in Books
  • Published on: 2014-02-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .98" w x 5.25" l, .99 pounds
  • Binding: Paperback
  • 392 pages

From the Author
Deanna DiLorenzo is the author of Tell Me and Tell Me Again.

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1 of 1 people found the following review helpful.
Captivating Story
By Ack
This is the sequel to "Tell Me" , which I first bought two days ago. I love good stories, so after I finished the first book, I bought this sequel because I got so hooked on the story-
I like the romance between the main characters, Amber and Meagan, and all the challenges they have to face. I like their extreme emotions and the flaws that make them more humans than ideal fictional characters. It's fascinating and sometimes scary to read about Meagan's inner fight between her good side and the part of her that needs to punish/humiliate those who hurt her or those she loves. I love the fact that although Meagan and Amber's strength/determination are manifest throughout the book, the author also does a really good job of showing us their insecurities.
The other good thing about this book is that is does of very good job of developing the many secondary characters.
Why am I giving 4.5 stars instead of 5?
1) Both books had some references to fat women that made me uncomfortable. This is probably the case for many other books I've read before but maybe with all what I've been hearing lately in the news I'm just getting more sensitive and aware of this. The concern I have, in the way this was used in this book, it's the fact that this was used in a way that, I felt, didn't really add anything to the scene.eg With Zeppo complaining about one of the patrons starring at his paintings in "Tell Me" : "She's fat and she's ugly and she hates me". I read this and I was thinking, hum, what would have happened if he'd said " She's thin and she's beautiful and she hates me"?
2) I wish this book could relate part of the story from Amber's perspective. The author did that a little bit when Meagan's read Amber's journal and it was a great. I just wish we had more of this throughout both books.
3) The author doesn't really explain why some people can remember what happened when they were in their coma, while other people can't. May be it's in the next week.

Overall, still a good book that I'd recommend to people who like captivating stories and I'm looking forward to the sequel to this one too.

Note: My review is both for "Tell Me" and "Tell Me Again". 4.5 stars.

1 of 1 people found the following review helpful.
Amazing.
By Bridgette
This is probably the best book i've read in my 23 years of life. Well this and the first book of this series. I was completely enthralled my the characters after reading a few pages. The twists and turns of this book always kept me on the edge of my seat. Ive cried, laughed, gotten pissed off, and all around again. I would recommend this to anyone who wants a realistic romantic book that is full of comedy and drama. The best part of this book is i could relate to many aspects of meagan summers. This book is full of decisions that i honestly believe we have to face all the time, maybe a different circumstance but it's the same type of decisions you have to make in real life. I truly hope i will be reading another book of this, hopefully a trilogy. Read this book people.

1 of 1 people found the following review helpful.
Read this!
By LT
If you want a book you can really get lost in and an author that doesn't just spit out a 200 page book....this is it. You must read the first book 'tell me' before you dig into tell me again. But what a hell of a story! She takes you on a ride where you don't know what's coming next. The author has taken the time to give you such a complete story and characters with depth. It's refreshing. The way it ended, I'm feeling trilogy.

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Sabtu, 14 Agustus 2010

[F507.Ebook] PDF Ebook Schelling's Treatise on the Essence of Human Freedom (Series in Continental Thought), by Martin Heidegger

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Schelling's Treatise on the Essence of Human Freedom (Series in Continental Thought), by Martin Heidegger

Heidegger's lectures delivered at the University of Freiburg in 1936 on Schelling's Treatise On Human Freedom came at a crucial turning point in Heidegger's development. He had just begun his study to work out the term “Ereignis.” Heidegger's interpretation of Schelling's work reveals a dimension of his thinking which has never been previously published in English.

While Schelling's philosophy is less known than that of the other major German Idealists, Fichte and Hegel, he is one of the thinker with whom Heidegger has the most affinity, making this study fruitful for an understanding of both philosophers. Heidegger's interpretation of On Human Freedom is the most straightforward of the studies to have appeared in English on the Treatise, and is the only work that is devoted to Schelling in Heidegger's corpus. The basic problems at stake in Schelling's Treatise lie at the very heart of the idealist tradition: the question of the compatibility of the system and individual freedom, the questions of pantheism and the justification of evil. Schelling was the first thinker in the rationalist-idealist tradition to grapple seriously with the problem of evil.

These are the great questions of the philosophical tradition. They lead Schelling and, with him, Heidegger, to possibilities that come very close to the boundaries of the idealist tradition. For example, Schelling's concept of the “groundless”--what reason can no longer ground and explain--points back to Jacob Boehme and indirectly forward to the direction of Heidegger's own inquiry into “Being.” Heidegger's reading of Schelling, especially of the topics of evil and freedom, clearly shows Schelling's influence on Heidegger's views.

  • Sales Rank: #6819642 in Books
  • Published on: 1985-03
  • Original language: German
  • Number of items: 1
  • Binding: Hardcover
  • 200 pages

Language Notes
Text: English, German (translation)

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3 of 3 people found the following review helpful.
Heidegger's appropriation of Schelling...
By Brian C.
For anyone interested in Heidegger and/or Schelling this is a must read (and if you are not interested in Heidegger or Schelling I think you should be). For fans of Heidegger this is an interesting text because as it says on the back cover the courses which this book is based on were given at right around the time of Heidegger's 'turn'. One can see the beginnings of the turn in this work in Heidegger's analysis of the historical development which provided the conditions necessary for the modern concept of 'system'; a concept which guides Schelling's analysis in the freedom essay (Heidegger sees one of the conditions of the modern concept of system in the "predominance of the mathematical as the criterion of knowledge" (pg34) which points towards his later work on technology and enframing). One can also see evidence of the turn in Heidegger's interpretations of the understanding of Being in German Idealism (as freedom or will). Heidegger is definitely beginning to see the historical nature of our understanding of Being (as opposed to simply grounding our understanding of Being in the ahistorical existentials of Dasein).

This book will also be of great interest for anyone interested in Schelling because it is a truly profound, and detailed commentary on what I think is probably Schelling's most profound and important work, his essay on the Essence of Human Freedom (for the reader interested in reading Schelling's essay along with Heidegger's commentary I recommend the translation contained in Philosophy of German Idealism: Fichte, Jacobi, and Schelling (German Library). I do not speak or read German but I have been told by a professor of mine, who was a Schelling scholar, that the translation in that volume is better than the translation put out by SUNY). Schelling's freedom essay presents a number of interpretive difficulties for the reader. The subject that Schelling is dealing with is inherently difficult (the ontological grounding of human freedom) and Schelling's writing can also be quite obscure at times. Schelling also frames the entire problem in theological language which can be off putting to the modern reader. It is often difficult, I think, for modern readers to take a philosopher seriously when he (or she) begins to describe the inner life of God. On a first reading it often seems as if Schelling is simply making ungrounded assertions in his freedom essay about the nature of the Absolute (or God) and is claiming knowledge for himself which no human being could possibly possess. We, of course, have known since Kant that human reason is incapable of providing us with knowledge of the Absolute as it exists in itself and it often seems as if Schelling is engaging in speculations beyond Kant's wildest dreams in his freedom essay (despite being a post-Kantian philosopher). What Heidegger sees clearly, I think, is that Schelling's essay is as much a work of ontology as it is of theology and Heidegger is able to detach, to some degree, Schelling's ontological insights from his theological language in this work. Heidegger in a sense 'modernizes' and 'demythologizes' Schelling's essay in this work. Heidegger also attempts to follow Schelling's train of thought in order to seek out the motivations behind his thought so that Schelling's claims no longer appear as merely ungrounded assertions about something that is inherently unknowable. One begins to get a sense of the inner movement of Schelling's thought which is much more important than simply appropriating Schelling's assertions without understanding the motivations behind those assertions.

Like all of Heidegger's works there are times in this work when Heidegger lapses into a nearly impenetrable obscurity but there are also moments (and quite a few of them) in which he is extremely lucid and clear in his presentations of Schelling's ideas.

The rest of my review will be a slightly more detailed summary of the general development that Heidegger traces in this work for those who are interested. I should emphasize that everything I say in this review should be considered very provisional. I am by no means an expert in Heidegger or Schelling so it is possible that a great deal of what I have written will have to revised in the future.

The goal of Schelling's essay, according to Heidegger, is to provide the grounds for a philosophical system which encompasses the whole of being and is at the same time capable of integrating human freedom. It is not enough to simply define human freedom (though this will certainly be a part of Schelling's task); one must also "establish the place of this concept in the system as a whole; that is, show how freedom and man's being free go together with beings as a whole and fit into them" (pg19). Why does Schelling's task appear precisely in this form? Heidegger believes that a new interpretation of Being, its determinability and its truth (pg32) arises in the modern period which makes the demand for a system, or the demand that knowledge be presented in the form of a system, an absolute necessity for German Idealism. There are a number of conditions which led to this notion of the system and the demand that knowledge be formulated in terms of the system. I will list what I think were the four most important (out of the six conditions Heidegger lists): "1. The predominance of the mathematical as the criterion of knowledge [which I already mentioned] 2. The self-founding of knowledge in the sense of this requirement as the precedence of certainy over truth [i.e. Descartes's method of radical doubt] 3. The founding of certainty as the self-certainty of the 'I think' 4. Thinking, ratio as the court of judgment for the essential determination of Being" (pg34). Knowledge must be grounded in certainty and certainty is only genuinely grounded in the certainty of the "I think". This ultimately leads to Kant's Copernican revolution in which Being is reinterpreted in terms of what it is possible for human thought to represent (i.e. the ratio becomes the court of judgment for the essential determinations of Being). Reason projects the system before it ever encounters beings, the system is a part of the architectonic of reason itself. As Heidegger writes, "According to Kant, reason posits a focus imaginarius, a focus in which all the rays of questioning things and of determining objects meet, or, conversely, in terms of which all knowledge has its unity. Reason is the faculty - we can say - of anticipatory gathering - logos, legein" (pg37).

This presents a difficulty though. There seems to be a contradiction in the idea of a system of human freedom which ultimately led Kant to posit his dualism between the phenomenal and noumenal and which seemed to lead to the impossibility of ever reconciling the first and second Critiques. Kant continued to work on this problem until his death and his third Critique seemed to point in the direction of a reconciliation which was taken up by the later German Idealists. Kant was still working on this problem in the Opus Posthumum which Heidegger quotes and in which Kant was especially concerned with the relation between God, the world, and the human being (the I Myself, or the existential self, or moral self). [As a sidenote: I think the mistake of ordinary theism is to think God as part of the world system which ultimately is a denial of God as Absolute which is why a theologian like Paul Tillich can say that it is just as atheistic to affirm God's existence as it is to deny it] But back to the work under discussion: the system seems to be based on the principle of sufficient reason. The Idea of unifying all knowledge in terms of the principle of sufficient reason is precisely the heuristic Idea necessary to guide the quest for human knowledge (and scientific knowledge in particular) in the first place even if this goal can never actually be attained. But the principle of sufficient reason (the grounding principle of the system) seems to rule out the possibility of human freedom. From the standpoint of the system human being and human freedom seem to be the great flaw in the diamond (to quote a line from Paul Valery's poem The Graveyard by the Sea; a line that Maurice Merleau-Ponty was especially fond of quoting). Human freedom seems to be precisely what resists the totalization of the system and yet Schelling has set himself the task of providing a system which will be capable of placing human freedom in its place in relation to beings as a whole.

Schelling's task is not entirely different from the task of the modern defenders of free-will who attempt to account for the place of human freedom in a world governed by mechanical laws. Modern thinkers are also attempting to think the place of humanity's freedom in relation to being as a whole. Schelling's task is not entirely identical to the modern theorists though. Schelling is less interested in securing a place for humanity's freedom in a world governed by mechanical laws (a vision of the world which Schelling does not share) and far more interested in securing a place for humanity's freedom in relation to the ground of Being as a whole (or God). This is a result of Schelling's pantheism. It is necessary to understand pantheism precisely though. Heidegger writes, "In its formal meaning, pantheism means: pan-theos, "Everything - God"; everything stands in relation to God; all beings are in relation to the ground of beings" (pg68). It is necessary to have something to contrast this view with. Ordinary theism views the relation between God and creation as a relation between an artisan and his product (with the difference that God did not have any pre-existent material to work with and so is the creator of both the material and the form while the artisan is merely the creator of the form). God according to this view is a self-subsistent being who is capable of existing whether or not the world, or creation, exists (we will see in a moment that Schelling disagrees with this notion of God which, I think, is why Heidegger is able to demythologize Schelling, or interpret Schelling in ontological rather than theological terms). Creation, according to the standard theistic view, is certainly a dependent form of being which depends on its creator for its existence, but once created it also tends to follow laws of its own. These laws may be derived from the nature of God or may have been instituted by God but they are not identical to God; the beings in creation are not in a direct relationship to God but are in direct relation to the laws of the universe. In the Aristotelian universe taken over by St. Thomas Aquinas, for example, fire rises because it has a certain place within the cosmos which it naturally tends to move towards and not because God determines it to do so (God is not the efficient, formal, material, or teleological cause in this case). Humanity's place in nature is also determined by God, but once determined tends to follow rules of its own. God has endowed the human being with a soul and with the faculty of reason which is what allows us to transcend the laws of nature and to be self-determining (i.e. free). The fact that the soul is conceived as a created being which has a relatively autonomous existence in relation to God means that the problem of human freedom in relation to God does not arise in as acute a form for traditional theism as it does for pantheism (this is somewhat oversimplified since traditional theism does encounter the same problem in relation to the notion of Providence since God is supposed to be using the laws of the universe to guide the universe towards a pre-determined end and this raises the whole problem of predestination, etc. but this is not directly relevant to Schelling's essay). By attempting to think of being in its relation to the Absolute or God pantheism has a real problem providing for the possibility of freedom in relation to the Absolute. As Schelling writes, "Absolute causal power in one being leaves nothing but unconditional passivity for all the rest" (quoted in Heidegger, pg69). Pantheism does seem to place causality in the Absolute which seems necessarily to swallow up the possibility for any relative independence of nature or created being in relation to the Absolute. The question of how to ground human freedom in a system, therefore, becomes a problem about the relation between God and his creation which means that Schelling must rethink the nature of creation (and of God) and it is here that Schelling's genuine originality and relevance for the present lie. What Schelling winds up doing is providing a new ontology of becoming; not in terms of a naive conception of a 'temporal flow'; but rather in terms of the movement of revelation (the dialectical belonging together of ground and existence in every being, specifically in the form of the will). This is very similar to Heidegger's understanding of Being as unconcealment which, I think, is why Heidegger was so interested in Schelling in the first place. But I am getting ahead of myself.

To return to the problem of pantheism. Pantheism is often defined as a position which holds that "God is the world". Schelling, and Heidegger, do not deny that this is a true conception of pantheism but everything turns on how one understands the copula 'is' in that sentence. This is precisely the point where Schelling's treatise turns away from being a merely theological discussion (theology in the sense of the science of the divine or God) and becomes ontology (the science of Being, the nature of the 'is'). The problem with the traditional understanding of the formula "God is the world" is that it understands the copula in terms of an inadequate notion of identity as mere identicalness (i.e. there is no difference between God and the world, they are identical). Heidegger writes that for Schelling "identity is truly not a dead relation of indifferent and sterile identicalness, but 'unity' is directly productive, 'creative', and progressing toward others" (pg79). He also writes, "the correct concept of identity means the primordial belonging together of what is different in the one (This one is at the same time the ground of possibility of what is different)" (pg78). This is a difficult idea to grasp but it is the same idea that Heidegger takes up in the little volume Identity and Difference (see my review and my discussion of the belonging together of thought and Being as the correct understanding of identity as well as my discussion of the transitivity of the 'is' in the sentence "the Being of beings means Being which is beings"). Another problem with pantheism as it is traditionally understood is that it tends to view 'thingness' as the fundamental nature of reality as it is in itself (or it determines the Being of beings as 'thinghood'; this is as true of finite beings as it is of God). As Schelling writes, "The error [of the pantheist]...is by no means due to the fact that he posits all things in God, but to the fact that they are things...[and that God] is also a thing for him" (quoted in Heidegger, pg89). Schelling is thinking particularly of Spinoza here. Heidegger goes on to write, "That means the error is not a theological one, but more basically and truly an ontological one. In general and as a whole, beings are understood in terms of the being of things, of natural objects, and only thus" (pg89). The problem is not that beings are thought in their relation to God, or as belonging together, the problem is with our ontological conception of beings in the first place. The problem with Spinozism is that beings are determined as 'things' (as we shall see Schelling determines the Being of beings in terms of a unity between ground and existence which reaches its highest level, the level of Spirit, in man and provides the ground for the possibility of evil and, hence, for human freedom). Schelling believes that 'becoming' is the only adequate ontological determination of the Being of beings (but again he does not conceive of becoming in the naive sense suggested by the image of a river flowing but rather in terms of a process of revelation, and this to me is the most exciting aspect of this book and Schelling's essay ).

Schelling is also critical of previous attempts to define freedom in German Idealism because he believes they provide only the formal definition of freedom (self-determination in conformity with the law of one's own being) and fail to provide an account of the specific nature of human freedom which is a freedom for good and evil. This is another way in which Schelling differs from modern thinkers in relation to the question of free-will. Those who attempt to defend free-will today are simply attempting to defend (usually) some form of indeterminism within the strict determinism of nature. Good and evil are purely anthropomorphic predicates and have no relation to objective Being. It is not, therefore, necessary to provide an ontological ground for the specific human faculty for good and evil. It is enough to defend the existence of a certain form of indeterminism the effects of which can be interpreted in terms of good and evil by certain beings (namely, human beings). Heidegger is aware of the possibility of criticizing Schelling in terms of anthropomorphism but this is a very involved question that I do not have space to go into here. Suffice it to say that Schelling does believe it is necessary to provide an ontological ground for the possibility of evil (which means the freedom essay is also about theodicy). While I cannot entirely defend Schelling from the charge of anthromorphism here I would point out that good and evil are certainly a part of our everyday experience of the world and Schelling's ontology is, therefore, in a sense closer to our everyday life-world than the purely objective value-free ontologies of philosophers like Spinoza or even the ontologies implicit in modern science.

To ground the possibility of evil ontologically means, within the language of Schelling's thought, to ground it in God. So we must examine God. The reason that Schelling's thought can be demythologized is due to the fact that Schelling does not view God as a being; he is not a traditional theist (indeed, some modern commentators have gone so far as to consider Schelling a materialist). Heidegger attempts to elucidate Schelling's understanding of God when he writes, "the determination of beings in the sense of the presence of something objectively present is no longer adequate at all to conceive this Being. Thus 'existence' is understood beforehand as 'emergence-from-self' revealing oneself and in becoming revealed to oneself coming to oneself. For Schelling, existence always means a being insofar as it is aware of itself" (pg109). God is as Existent Spirit or as his own self-revelation. God is not a thing but a process of self-revelation. According to Schelling every being is composed of 'ground' and existence'. Ground is conceived as substratum or the basis of a being and existence is understood in its etymological sense as what emerges from itself and in emerging reveals itself. God is his ground but not yet as himself. As Heidegger writes, "The ground in God is that in God in which God himself 'is' not truly himself, but is rather his ground for his selfhood" (pg110). This is a difficult concept to grasp and one I am not entirely sure I have completely understood but what is important is that the identity between God and his ground is not merely the unity of a thing composed of two constituents but is rather the dialectical unity which determines the "essential laws of God's becoming in his Being as God" (pg110). It is a dialectical unity because God's ground and existence are not merely identical but the ground is the opposite or the condition which is necessary for God's self-revelation. We can think of this as analogous to the necessity of darkness in order for light to exist. In order for there to be light and illumination it is necessary for there to be a ground of darkness. This darkness does not necessarily exist first in a temporal sense but is always simultaneous with the existence of light and provides the ground for the existence of light. Light could not exist if there were no darkness within which to manifest itself. Similarly God's ground provides the necessary condition for God's existence as illumination, Spirit, or love. Schelling calls the ground in God which is not God himself nature and determines it as longing. Schelling expresses the nature of the longing in this way, "turning toward the understanding, indeed, though not yet recognizing it, just as we longingly desire unknown, nameless excellence. This primal longing moves in anticipation like a surging, billowing sea, similar to the 'matter' of Plato, following some dark, uncertain law" (pg122). This is beautiful and rather poetic language and it expresses God in his dual nature. A longing which reaches towards the understanding unknowingly and a light which descends to illuminate that longing. God is precisely this movement of revelation.

Every being other than God has its being in the ground of God or nature and is a unity of the two principles in some way. In human beings this unity is at its highest point which is also the point of greatest separation. Human beings are the only beings in which the two principles can separate and in which the will of the ground can come to dominate the universal will (the will of love) and this is precisely the possibility of evil. This is why the inclination to evil can be said to pre-exist human beings; but the longing in itself is not evil until human beings exist and chooses to make this principle dominant. What is truly interesting, and I think most relevant, about Schelling's ontology is the way in which he determines the Being of beings as this unity between ground and existence. In Schelling's ontology beings are no longer conceived as 'things' but they are not dissolved into a formless becoming either. As Heidegger writes, "becoming is rather understood as a way of Being. But Being is now understood primordially as will. Beings are in being according to the joining of the factors 'ground and existence' belonging to the jointure of Being in a willing being" (pg123). In other words the Being of beings is determined as will; specifically the will of the ground, or longing, which is the longing for the self-revelation of God. Every being is determined, has its particular place in being, in accordance with the degree to which it expresses the unity between these two principles. As Heidegger writes, "Being...cannot be understood as the brute existence of something manufactured, but must be understood as the jointure of ground and existence. The jointure is not a rigid jungle gym of determinations but - itself presenting in itself in the reciprocal relation - presences as will" (pg135). This means there is a continuity between human beings and the rest of nature and being. Human beings are the highest beings in creation in the sense that they express the highest unity of these two principles, of the jointure of ground and existence in the will, but they are not an entirely distinct kind of being (mind as opposed to matter for example; or soul as opposed to body). Human beings are this unity between will and existence just as atoms are but at a different level or stage of development (we could say that the mechanical view of nature is precisely a view from outside; it allows us to manipulate reality but it does not reach the Being of beings which is will, the longing for an unknown Good and existence as emergence from self or unoncealment in Heidegger's terms). The ground that Schelling describes is very similar to Heidegger's notion of Being as nothing (or the unground) which provides the ground for unconcealment.

I could keep going but that is a basic overview of Schelling's ontology as it is presented in this book. I should point out that Heidegger, at the very end, believes that Schelling's project fails precisely because he remains committed to the idea of system. According to Heidegger freedom is incomprehensible because "freedom transposes us into the occurrence of Being, not in the mere representation of it" (pg162). And Being is always finite being (pg161-162). We can see Heidegger's existentialism at work here. Heidegger no longer conceives the entire movement from the standpoint of system which would be a standpoint from outside of the world, or from the standpoint of God. Rather, as Heidegger says, human thinking possesses a continual relation to human existence (pg163). Heidegger conceives of the movement of Being from the standpoint of finite human being rather than from the standpoint of the Absolute. Heidegger will also no longer conceive of Being as a being (ontotheology) and so it is not necessary to talk about God or the Absolute. Being is always finite and the process of revelation (or unconcealment) is ungrounded or grounded in a ground that is not a ground (both Schelling and Heidegger are borrowing Jacob Boehme's notion of Ungrund).

In summary this is a very enlightening book for anyone interested in Schelling or Heidegger. I learned a lot about both philosophers through a close reading of this book and it receives my highest recommendation!

P.S. For the reader interested in Schelling I would also highly recommend a book called The Conspiracy of Life: Meditations on Schelling and His Time (Suny Series in Contemporary Continental Philosophy) by Jason Wirth. I am not an entirely unbiased reader since Dr. Wirth was a professor of mine and we did an independent study together on Schelling's freedom essay. But since Dr. Wirth's book is excellent any way you slice it I do not think my bias matters much. It is an excellent work for anyone who is interested in Schelling's relevance to contemporary Continental philosophy.

6 of 6 people found the following review helpful.
Heidegger and Schelling
By Robin Friedman
Martin Heidegger (1889 -- 1976) is best-known as the author of a seminal work of 20th Century philosophy,"Being and Time." (1927) Heidegger saw himself as rejecting metaphysical philosophy and as redirecting its questions. In his classroom courses, he frequently engaged in philosophical hermenutics by lecturing in detail on a specific text and trying to understand it from the inside. By all accounts, Heidegger was a charismatic lecturer. His ability to bring seemingly abstract philosophical questions to life, for all their difficulty, inspired many students such as Hannah Arendt.

In 1936, Heidegger lectured on a treatise by the German idealistic philosopher Frederick Schelling (1775 -- 1854) called "The Essence of Human Freedom" (1809), itself a highly difficult work of some 90 pages. Schelling had been a college friend of both Hegel and the poet Holderlin. Hegel published his most famous work "The Phenomenology of Mind" in 1807, two years before Schelling's Treatise. In the "Phenomenology" Hegel attacked his friend's version of philosophical idealism for its alleged mystical, intuitive character. Schelling took the criticism hard, and the friendship ended. At the time Heidegger wrote, Schelling had been neglected for many years, even in Germany. Schelling's Treatise remains little read, due to its romanticism and its anthrophomorphism, qualities of which Heidegger was fully aware, in addition to its obscurity. This translation of Heidegger's lectures on Schelling's Treatise dates from 1985 and is by the American philosopher Joan Stambaugh. It is as readable and accessible as this text is likely to be.

Philosophers tend not to be the best interpreters of one another's work because their own thought gets in the way. Heidegger is notorious for his idiosyncratic readings of other thinkers to bend them to his own lights. Heidegger's s book on Schelling, while by no stretch a "neutral" evaluation of his predecessor is a sympathetic and plausible account of the Treatise. It aims for and achieves more. Reading Heidegger's lectures, I got the sense of struggling with both Schelling and Heidegger. The text convinced me that something important was being said, however obscurely. As with other Heidegger, much of this book is seeming gibberish. Impenetrable discussions are often followed by passages of great insight and respective clarity. Some of the difficulty may be due to the difficulty of transferring apoken lectures to the printed page. Frequently, after long obscure passages in this book, Heidegger will proclaim in his own voice that the discussion makes little sense. I felt frustrated, but I remembered that while speaking Heidegger probably delivered these really obscure analyses with a tone of irony in his voice that would not communicate to the page. Heidegger in fact appears to be a good as well as a charismatic lecturer. He organizes his material and repeats and summarizes what he has said when he moves from one section to another. He appears to try to make himself understood. The lectures are filled with asides, readily understood examples, and even touches of humor.

Heidegger's lectures, which exceed considerably Schelling's text in length, consist of opening remarks, and extended discussion of Schelling's own introduction to his text and a shorter and much more difficult discussion of the "Main Part" of Schelling's Treatise. Why lecture on Schelling's Treatise rather than on a different text? Here is Heidegger's response (p. 11)

"We stated that no further explanation was necessary why we have chosen this treatise -- unless in terms of the treatise itself. For it raises a question in which something is expressed which underlies all of man's individual intentions and aspirations, the question of philosophy as such. Whoever grasps this question knows immediately that it is meaningless to ask why and to what purpose we philosphize. For philosophy is grounded only in terms of itself- or else not at all, just as art reveals its truth only through itself."

Schelling was a philosopher of absolute idealism. Heidegger rejected absolute idealism although its impact on him was profound. His discussion of the nature of philosophical system building and of the aims of German idealism after Kant are deeply insightful. Schelling's Treatise was intended as both a tribute to and a refutation of the philosophical system of Spinoza. Heidegger thus engages in this work with Spinoza, something he was faulted for not doing in "Being and Time".

Heidegger saw himself as a philosopher of questioning and as a philosopher of Being. He engages with Schelling, more than with Hegel, because of the limitedlessness, poetical character of Schelling's thought. Heidegger wants to understand what philosophical Absolutism is, and how, if at all, it comports with freedom. Schelling had thought that the claimed absolutism of Spinoza resulted in fatalism. Heidegger then explores Schelling's treatment of the nature of evil. Philosophical idealism is frequently rejected on these two broad issues among others: 1. it leads to determinism and fatalism and 2. it cannot account for the existence of evil.

Heidegger offers a long and in places tortorous account of Schelling's idealism, understanding of human freedom, and understanding of evil. As an absolute idealist, Schelling tried to combine in a difficult way the Absolute and infinite with the individual. Heidegger rejects the absolute, but his own concept of Being appears to me to owe much to it. Heidegger is a philosopher of becoming, human finitude, and approaches to Being.

This book is a difficult commentary on a text which, if anything, is more difficult. Early in his study, (p 9), Heidegger quotes his subject as saying "It is a poor objection to a philosopher to say that he is incomprehensible." Readers without a strong background in Heidegger's "Being and Time" and in Kant and his successors will be unduly frustrated by this book. Readers with a passion for philosophical issues will be engaged by this work.

Robin Friedman

7 of 16 people found the following review helpful.
Heidegger at his best
By A Customer
Martin Heidegger in this decisive work takes a little known author and "confronts" his work with his own understanding of Being as finite. The result is an amazing understanding of the finite human condition as freedon. This is authentic thought that does not wallow in morbidity nor escape to mere rationality or the romanticism of idealism. Heidegger fresh from working out his "Contributions to Philosophy:From Enowing" is fully engaged and moving on. Heidegger, gives adequate cautions through out the work so that our initial enthusiasm is not lost but becomes transformed into a silent "yes" that can refresh us for some time to come. Stambaugh, thoroughly versed in translating for her readers and those that want to read Heidegger, also provides an extensive appendix that is a "gold mine" for rereading all of Heideggers works. This appendix is almost like "notes from the underground". Though Heidegger might not approve of such terms he would nevertheless understand. Make no mistake, Heidegger has not forgotten his own history (son of a sexton) nor the history of Western thought. This history is fully put to the task of working out his own thought, that of Schelling and the resulting transformations in both understand the translator and the reader. If you try to "figure" this work out you will miss the poetry. If you "simply love" this work you may too easily move on to the "next thing" that is exciting. Are you ready?

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