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(Book + CD) NOW INCLUDES TAB as well as 'standard' notation! Contains 10 finger/transcribed solos based on 'standard' chord changes by the great Barry Galbraith. Recording contains Mark Slifstein playing the transcribed solos with Milt Hinton on bass and Barry comping behind you. Turn off the Slifstein channel and solo with Barry and Milt comping behind you. Turn off the other channel and comp with Milt behind Mark, or listen to both channels and enjoy the trio.
- Sales Rank: #1326687 in Books
- Published on: 2010-09-07
- Original language: English
- Binding: Paperback
- 32 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
Great for getting that classic jazz sound you're looking for.
By TheJoe
This is an excellent resource- I have a ton of books on jazz guitar, and I'm finding that the only ones that are having good impact on my playing are the ones that SOUND GOOD. For those who don't know Barry Galbraith's songs and instructional materals, they are among the best because they SOUND GOOD.
I think this one in particular is great, Barry has that time-tested, classic standard jazz sound, with no gimmicks or corniness, and it just sounds great with all the jazz devices you need to master in here. Also, this book works particularly well with the Fingerboard Workbook (book #1 in this series, the blue book). I find that some of the devices he introduces in the Fingerboard Workbook exercises are directly translated into a solo setting here. For instance, some of the intervallic ideas from the Fingerboard Workbook appear in here, etc. Very, very good stuff.
Lastly, it's important to study solos because they teach you how to build the structure, like an intro, repetition of themes, repetition of runs with variations on them, climax, closing, etc. This is what Charlie Christian and Wes Montgomery were known for. You can't just play a bunch of random licks and expect it to be coherent. Here is a great collection of coherent, beautifully rendered solos.
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